Fleetwood Mac: The Forgotten Years

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On a recent Sunday while sipping my morning coffee, I turned the TV to the long-running television program, “CBS Sunday Morning,” hosted by Charles Osgood. This enjoyable show always has at least one segment devoted to popular culture. Past shows have included interviews with Keith Richards and Gregg Allman. This particular show included a puff piece on the pop-rock band Fleetwood Mac. The rationale was drummer Mick Fleetwood’s recent (and 2nd) autobiography, which coincides with the band’s 61st (or maybe 62nd) reunion tour.

Full disclosure here: Fleetwood Mac isn’t one of my favorite bands. Their songs are tuneful, albeit in an effete sort of way. But “the Mac’s” unthreatening, southern California brand of rock was perfect ear sweetener for the somnolent mid-‘70s to early ‘80s, and there’s still nostalgia for that stuff amongst baby boomers. So I wasn’t too surprised to see them profiled on TV alongside segments devoted to the wedding of George Clooney and “The Timeless Allure of Swing Dancing.”

What really stuck in my craw, though, was the narrator using a sweeping statement, during a buildup to the gilded Buckingham-Nicks years, that “other band members came and went.” There was no mention of founder Peter Green. No mention of Danny KirwanJeremy Spencer, and Bob Welch… forget it. Seven different band members, eight years, and nine albums brushed aside.

So, once again, I feel the need to set the record straight. Nothing against Stevie Nicks and Lindsay Buckingham. But there was a band called Fleetwood Mac that existed long before those two joined in 1974 to help catapult them to superstardom. They were English. They had a curious and colorful biography, and they were very talented.

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Fleetwood Mac sprouted in 1967 from John Mayall’s Bluesbreakers, an English blues band that featured virtuoso guitarist Eric Clapton. Clapton was, and is, one of the most formidable blues guitarists in history. When Clapton quit the Bluesbreakers to form the legendary Cream, his place was taken by a guy named Peter Green. Not only did Green have a great first name, he also had the challenge of replacing a guitar god. Most rock critics would agree that he more than met the challenge. John Mayall felt so, too, and after only one album with Green, he encouraged Green to “go thither into the world” and form his own band.

Green did just that. Before long he selected bass player John McVie (also from the Bluesbreakers) and a drummer named Mick Fleetwood, whom he knew from two earlier bands. For added punch, he added Elmore James-influenced slide guitarist Jeremy Spencer. Being a humble guy, leader Green named the band after his rhythm section… neither of whom were songwriters!

THEN PLAY ON, the last album that featured Peter Green

THEN PLAY ON, the last album that featured Peter Green

This early version of Fleetwood Mac released three studio albums: FLEETWOOD MAC, MR. WONDERFUL, and the double album THEN PLAY ON. At this juncture their music emphasized blues-based rock, and they had a reputation for being a dynamic live act. Green was a powerful guitarist and had a distinctive guttural voice that perfectly complemented his blistering guitar licks. He was also a skilled songwriter, going from the sublime (“Man of the World” and “Albatross)” to the earthy [“The Green Manalishi (With the Two-Prong Crown)”] and “Oh Well”) to the mysterious (“Black Magic Woman,” which was covered by West Coast band Santana and became their signature song). Jeremy Spencer was also notable. He often closed the band’s shows by doing old rock ‘n’ roll numbers and mimicking people like Elvis Presley and Buddy Holly. The band was a regular attraction at 60s-era ballrooms like the Shrine Auditorium, Avalon Ballroom, Fillmore West, Fillmore East, and Boston Tea Party.

Then the first tragedy occurred. Like so many creative artists from that era, Green began experimenting with LSD. And like Syd Barrett (Pink Floyd) and Brian Wilson (The Beach Boys) before him, he became a casualty of the drug. He began wearing long robes on stage and drifting off into endless guitar solos. Although the undisputed leader of Fleetwood Mac, Peter Green had to leave the band he had founded. He was diagnosed as schizophrenic, and entered a mental hospital. In the late 1970s, there was a rumor he was working as a gravedigger.

Some people seem to pull an ace out of their sleeve just when it’s needed. Fleetwood Mac’s ace was a guitarist named Danny Kirwan, whom Green had enlisted before the THEN PLAY ON album. Although Kirwan wasn’t the singer or instrumentalist that Green was, he was (at least to these ears) the best songwriter the band ever had. Kirwan guided the band through the next four records: KILN HOUSE, FUTURE GAMES, BARE TREES, and PENGUIN.

KILN HOUSE, with artwork by Christine McVie

KILN HOUSE, with artwork by Christine McVie

Kirwan was responsible for some of the group’s most melodic songs, gorgeous gems like “Dragonfly,” “Jewel-Eyed Judy,” “Woman of a Thousand Years,” “Bare Trees,” “Sunny Side of Heaven,” “Dust,” and others. For support, Kirwan leaned on John McVie’s wife, Christine Perfect McVie, who’d sung for the blues band Chicken Shack and joined the Mac during the KILN HOUSE sessions (and who created the striking artwork for that album sleeve). One of her songs, “Spare Me a Little of Your Love” from the BARE TREES sessions, became a staple of the band’s repertoire.

Kirwan, however, was always a little unstable. He was a heavy drinker and frequently succumbed to radical mood swings. He was fired in 1973 after one particularly violent outburst. Spencer, too, had quit in 1971 during a tour. While in Los Angeles, he’d gone out to buy a magazine, then disappeared for several days. The group later discovered he’d met a stranger on the street corner, who’d convinced him to renounce his former life and convert to a religious cult known as the Children of God.

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Fleetwood Mac circa 1972. From left to right, John McVie, Danny Kirwan, Christine McVie, Bob Welch, Mick Fleetwood

Fleetwood Mac’s eighth studio album was MYSTERY TO ME. It was a bit of a letdown after the creative Green and Kirwan years, but it had at least one good song in “Hypnotized,” which became a favorite on American FM radio. This tune was written and sung by Bob Welch, an unknown Californian who’d joined the Mac just after KILN HOUSE. Welch wasn’t on a songwriting par with Kirwan, but he helped in three ways: he provided vocal and writing support; he eased them into the American market with radio-friendly material like “Sentimental Lady” (which Welch later re-recorded as a solo artist, becoming a Top 10 hit); and – most significantly – he convinced them to move their offices from London to Los Angeles.

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BARE TREES, one of Fleetwood Mac’s best records

Welch was the last significant member to join Fleetwood Mac, until Nicks and Buckingham in ’74. He quit the band after the ninth album, HEROES ARE HARD TO FIND, when he became tired of touring, as well as fighting a legal battle over ownership of the band’s name (in another strange twist in the band’s history, Mick Fleetwood and band manager Clifford Davies, to fulfill a contract obligation, sent out a fake Fleetwood Mac on tour in 1974; Fleetwood later claimed he knew nothing about the ruse. This fake band later changed their name to Stretch and had a No. 16 hit with “Why Did You Do It?” which was aimed at Fleetwood).

In late ’74, Fleetwood made the acquaintance of American Lindsay Buckingham, who’d recorded an album with his then-girlfriend, Stephanie “Stevie” Nicks. He asked Buckingham to join the band to replace Welch. Buckingham agreed, but only if he could bring along Nicks. Fleetwood nodded “Yes,” and Fleetwood Mac’s long mystery train finally rolled toward that nebulous place where English blues musicians, Wall Street mercantilists, and inaugurated U.S. presidents get together to harmonize.

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Today, founding member Peter Green keeps a low profile. But as late as 2010, he was doing short tours with his own band. In its list of Top 100 Guitarists of All Time, Rolling Stone magazine placed him at No. 38. Mojo Magazine ranked him No. 3.

Jeremy Spencer is still associated with the Children of God (now called Family International). He’s lived all over the world, has jammed privately with both Fleetwood and John McVie, and in 2009 appeared at the Chicago Blues Festival.

Bob Welch took his own life in 2012. His widow said he was in intense pain after recently undergoing unsuccessful spinal surgery. She thinks his pain medication may have also contributed to his suicide. In 1998, Welch was not included with other band members for induction into the Rock and Roll Hall of Fame (RnRHoF). He’d earlier filed a lawsuit against the band for underpayment of royalties, and he believed that Fleetwood and the McVie’s convinced the hall to blackball him.

Not much is known about Danny Kirwan. According to Wikipedia, his mental health declined after leaving Fleetwood Mac in 1973 (he was supposedly homeless for a while in the ‘80s and ‘90s). Unlike Welch, Kirwan was inducted into the RnRHoF with other members.  But he didn’t show up at the ceremony. John McVie was quoted as saying that a Fleetwood Mac reunion with Green and Spencer is a possibility, “but I don’t think there’s much chance of Danny doing it. Bless his heart.”

 

first album

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5 thoughts on “Fleetwood Mac: The Forgotten Years

  1. Thx Profesor P! I always your lessons… How is the next book coming along? Miss you around here but let’s catch up at lunch sometime – let us know when you want to mongolian buffet!

  2. Well Pete you don’t have to set the record straight with CB. He quit following the band after ‘Bare Trees’. Their early stuff still gets regular play at my shack. One of CB’s first takes was ‘Live in Chicago’. I just told someone else recently that I took ‘Live in Boston’ (1970) for a walk the other day. (Still listen to a Disc-man). So you’re speaking to the converted. Not knocking the later version that had all the success but it was the early stuff that CB dug. Good post, Hope some of your readers check the music out. (Have a great Peter Green and the Splinter Group CD ‘Me and the Devil’)

    • We’re on the same page, CB. My favorite Mac is the Kirwin years, with “Bare Trees” at the top. Would eventually like to check out “Then Play On,” which I hear is rather good, too, in a bluesy way. If you like their live work (and haven’t yet heard it), another tasty disc is “Shrine ’69.” Peter Green is at the top of his game. He was one cool guy, and it’s great hearing him talk to the Shrine audience in his clipped English accent.

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